Wednesday, October 23, 2013

Assignment #6

ALL STUDENTS (Sophomores, Juniors, AND Seniors):

Email (or deliver by hand to me) the NAME and ARTIST of ONE song that you know ALL of the words to.
Do NOT tell anyone what you have decided on!!!  Once a song name & artist has been received from every student, there will be a matching quiz to match the student names to the songs they know. Extra credit points will go to the top-scoring student!




Sophomores:
DUE: Wednesday 10/30


Make a drawing in your sketchbook that shows:
-Atmospheric Perspective (objects getting lighter, bluer and fuzzier as they get further away)
-one example of Linear Perspective (one point, two point or three point perspective)
-use whatever medium you want! (pencil, watercolor, charcoal, ink, etc.)


John Frederick Kensett "Lake George" 1869



W. Turner "St. Peter's from the South"


Jean-Baptiste-Camille Corot "The Bridge at Narni" 1826.



Juniors:
DUE: Tuesday 10/29
Continue to work on creating small thumbnails of patterns that range in value. (See last weeks assignment, Assignment #5)



Seniors:
Due: Your next class.
Continue to bring in all materials for working in class. If you need to project something on the Smart Board or if you need to print something out, make sure you have emailed it to yourself.

Wednesday, October 16, 2013

Assignment #5

ALL STUDENTS (Sophomores, Juniors, AND Seniors):

Email (or deliver by hand to me) the NAME and ARTIST of ONE song that you know ALL of the words to.
Do NOT tell anyone what you have decided on!!!  Once a song name & artist has been received from every student, there will be a matching quiz to match the student names to the songs they know. Extra credit points will go to the top-scoring student!


Sophomores:
DUE: Monday 10-21

Make a drawing of a road using one point perspective. Include the following elements in your drawing:
-vanishing point
-horizon line
-a repeating object that recedes into the distance (ie: trees, telephone poles, bushes, buildings)
-chiaroscuro (shading from light to dark, including drop shadow)



Baldassare Peruzzi, One-point perspective of a Roman street (1515)


Tom Bauer, photograph

 Chris Gregory, pencil, watercolor



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Juniors:
DUE: Thursday 10/24

Make 15 squares on a page in your sketchbook. Make each square 1 inch by 1 inch. Fill in each individual square with a different pattern or series of marks. Use a Black pen. The objective is to use texture and pattern in different ways that produce different values. When you are done, hold the paper away from you to see the difference in value.


 
(my sketchbook from HS)


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Seniors:
For Class 10/21 or 10/22
Bring in all materials to work on your individual projects. 

Wednesday, October 2, 2013

Assignment #4

Sophomores
DUE: Monday 10-7

Make a drawing of a road using one point perspective. Include the following elements in your drawing:
-vanishing point
-horizon line
-a repeating object that recedes into the distance (ie: trees, telephone poles, bushes, buildings)
-chiaroscuro (shading from light to dark, including drop shadow)



Baldassare Peruzzi, One-point perspective of a Roman street (1515)


Tom Bauer, photograph

 Chris Gregory, pencil, watercolor


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Juniors:
DUE : Tuesday, 10/10
Find a black and white photograph. Print it out on 8.5x11" paper. Use a ruler to draw a 1/4 inch grid over the picture. OR impose a 1/4 inch grid over the picture digitally before you print it. On a gridded piece of paper, recreate the image by filling in each square with the corresponding value. You can label the grids with letters or numbers on the y and x axis to make each square easier to locate. The end aesthetic should look like a highly pixelated version of the photograph.
 Chuck Close

1973 cover of "Scientific American"

1973 cover of “Scientific American” on the left and Leon Harmon’s “Abraham Lincoln” (1973) on the right.




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Seniors
DUE: (Kappa) Monday 10/14
DUE: (Omega) Tuesday 10/15

Make art in the style of the artist who you wrote your journal entry on. You can recreate a work by them, or create a totally original piece.  If you create something totally original, you must be able to relate your project to your artist. 
When relating to your artist, think about:
Their style/technique: what materials do they use? How do they use them?
Their concept/meaning: what are they trying to say? what conclusions do you come to about the meaning of their work? what was their intention in creating their work?
Their subject matter: What are they depicting (figures, objects, landscapes, abstraction)? 
What stands out to you? What element of their work do you respond to most? 
How were they representative of the time period they made work in? How would you represent your own time and culture?